![]() ![]() Because boring beetles have endangered ash trees, visually perfect specimens of the wood are in short supply these days. On the new American Vintage II version, the ash body is fashioned from two solid sections of ash glued together at the guitar’s center line. To create the lighter, semi-hollow Thinline, Rossmeisl adopted the construction technique he developed for Rickenbacker: routing acoustic chambers from a solid section of ash, and then capping the back of the guitar with a thinner section of wood. ![]() #WAVEBOX ARGOS SERIES#The first Telecaster Thinline, which appeared in 1969, was hatched from the mind by Roger Rossmeisl, who famously designed Rickenbacker’s 300 series guitars, among others, before moving to Fender and conceiving the Coronado, Montego, and the company’s mid-’60s acoustic line. Pickups were not the only deviation from design norms that distinguished the ’72 Thinline. Who pushed a specific stompbox to its limits and Most historically significant instances of intrepid players It would be impossible to try to list themĪll, but here we’ve chosen what we believe are the 10 Of the unique way they’ve absolutely owned a specificĮffect pedal. Who’ve redefined how we hear music and guitar because There are countless examples of inventive players It’s about learning from your gear, and learningįrom these little metal boxes that supposedly have no I always liked this idea and this part of The pedal itself pushed me to learn more about #WAVEBOX ARGOS HOW TO#It made me want to learn how to play the way the delay I can remember that the thing I loved most about theĭelay pedal was that I could use a certain time setting,Īnd it sounded like I was playing way more than I was. Playing, and now as I’ve been able to evolve as a player, “I remember when I got my firstĭelay pedal,” he says. As Omar Rodriguez-Lopez, guitarist for the Mars Volta, will tell you, curiosityĭoes have its payoffs. ![]() That sound can happen instantly, almost by accident, That’s a sound worth hearing again is a matter of taste,īut when everything clicks, it can be legendary. Of them that no one has ever heard before. Use them, and anyone, with the right combination ofĭevices, timing, and/or technique can get a sound out The great democratizers: Get yourself a distortion box,Īnd you too can be a rock star! But, more importantly, Innards of stompboxes-wah-wahs, phasers, flangers,Įnvelope filters, fuzz units, and more. Of that magical mojo has been spun from the electric Throughout the history of electric guitar, so much With sonic signatures imparted by the gear they use. Playing it-it’s in how all that interacts and intertwines Magic isn’t just in what they’re playing or how they’re Strip itĭown to its basics, and most of what makes it memorableĬomes from the personal stamp of the guy doing Richards riff or a kamikaze Jimi Hendrix solo. There’s an unmistakable signature to a gritty Keith We know for sure is that we know it when we hear Whatever the defining mojo really is, one thing It all in your technique, or is it all about that elusiveįeel? Do you have rock-star swagger, or are you the moreĬerebral type? Are you a badass riff machine, or can you One particular axe-slinger stand out from the crowd. Or complex calculus for determining what makes When you get right down to it, there’s no formula ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |