I’m explaining this to you because chances are good that even if you watched this episode yourself - even if you sat in front of a large television in a darkened room, carefully avoiding your phone screen and closing the blinds to cut out any street glare - it’s likely you could not see a single, solitary thing happening on the screen. Aemond goes on a successful dragon flight, claiming Vhagar for himself rather than letting his mourning cousins inherit their mother’s dragon. In the other, which is intercut with all the sexy incest, Aemond Targaryen sneaks across the beach and climbs on top of Vhagar, a very old and powerful dragon that belonged to his now-deceased aunt of him. In one, Rhaenyra Targaryen has sex with her uncle de ella Daemon and is so enthralled and moved by the experience that they later decide to get married. There’s a set of scenes in episode seven of House of the Dragon in which two illicit, momentous things happen. The night scenes in “Driftmark” were shot in broad daylight, as is obvious in the very first House of the Dragon promotional photo (left) based on the images uploaded to HBO’s press site, they were intended to be understandable (right). #Dragon landscape pic tvShe gets mad when people say TV is a ten-hour movie. This exhibition was organized by the Katonah Museum of Art, New York.Kathryn VanArendonk is a critic who writes about TV and comedy. Included in the exhibition are works by Adou, Cao Fei, Chen Qiulin, Chen Wei, Huang Yan, Jiang Pengyi, Li Lang, Li Wei, Liu Ren, Liu Zheng, Liyu + Liubo, Lu Guang, Lu Hao, Maleonn (Ma Liang), Muge, O Zhang, Peng Rong, Qiu Zhijie, Rong Rong, Sun Ji, Tamen, Tian Taiquan, Wang Jin, Wang Qingson, Wang Wusheng, Wang Fen, Xu Zhen, Yang Yi, Yao Lu, Yu Haibo, Zhang Huan, Zhang Lijie, Zhang Ziao, and Zhou Hai. Many of these photographers have well-established careers, yet they have only recently come to the attention of galleries and museums in the United States. The duo Liyu + Liubo imagined surreal scenes based on real tabloid headlines, as in Chutian Golden Paper, Hair Salon Wonder-Hairdressing while Smashing (2006). Wang Wusheng reached back into China’s artistic past to depict the Yellow Mountains in photographs that recall traditional landscape paintings of the of the Song dynasty (960–1279). #Dragon landscape pic seriesZhou Hai captured the environmental impact of untrammeled economic growth in the series “The Unbearable Heaviness of Industry” (2005). In his series “Sitting on the Wall” (2000–2010), Wang Feng documented a decade of gradual yet radical transformation of a city skyline with an annual photograph. Yet these images also often seem to fast-forward into the future with a very “now” visual style filled with humor, artifice, and pop excess. Undercurrents of China’s rich artistic legacy are present in many of the portraits, landscapes, cityscapes, and scenes of daily modern life. They revive social-documentary photography and experiment with new, digital photographic processes to explore common concerns: changes in social self-identity, the alteration of the natural environment, and the erosion of cultural heritage in an increasingly globalized society. Most of the these images were made between the Dragon years of 20-an auspicious time in Chinese cosmology and a period during which many of these artists came of age. Rising Dragon: Contemporary Chinese Photography explores this impressive period of transition through more than one hundred photographs by 36 artists from mainland China. As China continues to expand its urban centers and increase its industrial output, many of its citizens struggle to hold on to traditional ways of life in the face of such swift modernization. By the next Year of the Dragon, in 2012, the country would boast some of the world’s largest cities, with tall buildings, vast shopping malls, and slick airport terminals. This feat was all the more astonishing because barely a decade before, China was largely an agriculturally based economy. Drastic changes in China’s social and political landscape made China the world’s fastest growing economy. The year was 2000-the Year of the Dragon in the Chinese zodiac.
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